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Three Stones Studio: News and Information

Happy 2016

January 10, 2016

Fred Herbst

Happy 2016 everyone! As a busy 2015 closed I started planning another busy year to come. New work and ideas are brewing in the studio, trips are being planned, and a new semester of teaching ceramics, design, and art history is quickly approaching. A very exciting development from 2015 was that I was named to the Board of Directors of the Studio Potter journal. We have been hard at work building a stronger future for the organization and journal. Stay tuned for some events and ways to help this critically important venue for writing on ceramics and craft.

2016 started with a exhibition titled ” Variations”, showing my work along with that of Rick Love and Rob Beishline at Lane Community College in Eugene, Oregon. We were the jurors for last year’s League for Innovation National art exhibition hosted by LCC. The show runs from Jan. 4th to Feb. 11th.


Image courtesy of LCC Art Gallery director Jennifer Hintze Salzman.

American Craft Magazine

November 24, 2015

Fred Herbst

I was surprised and happy to be mentioned and have work pictured in an article about the collection of Marvin Bjurlin and Christina Rausa in the December/January issue of American Craft magazine. I’m honored to have work in their outstanding collection!

The end of summer 2015

September 20, 2015

Fred Herbst


Sunset over Egg Harbor, WI August 2015

As summer 2015 comes to an end, I wanted to post an update of news, travels, and happenings since my last post. In late spring, I had work in an very popular annual Yunomi Invitational exhibition at AKAR Gallery in Iowa City, Iowa. I still have pieces available here: AKAR Gallery. I also had pieces featured in Crafting Community: SUNY Community College Ceramics Instructors at the Mildred Washington Art Gallery at Dutchess Community College in Poughkeepsie, New York. It was a great group of artists to exhibit with, and it showed the quality of the SUNY art programs across the state.


In July, I traveled with the Corning Museum of Glass to teach a workshop at the Domanie de Boisbuchet in France. This year we worked with London based designer, Philippe Malouin, and a talented group of students who collaborated on woodfired ceramics, glass, and mixed media objects.


On the way home, I got to spend an amazing afternoon and evening in Paris. Each year I go, I fall more in love with that city!


The summer was filled with travel, work, and new adventures. As the fall begins, I’m looking forward to starting a new series of wok in the studio and taking on new responsibilities. In the late spring, I was named to the Board of Directors of The Studio Potter journal. This is a huge honor since I’ve been reading this important ceramics journal since I started working in clay in 1994. The organization will be starting some major initiatives (including a completely new website) soon to help secure to future of the journal. Stay tuned!

Worcester Pottery Invitational

April 10, 2015

Fred Herbst


I’m excited to be included in this great show coming up at the Worcester Center of Crafts in Worcester, Massachusetts. The Worcester Center for Crafts Pottery Invitational exhibition and sale will be held from Friday Apr. 17 to Sunday Apr. 19. It’s an honor to be invited to show with this great line-up of ceramic artists!

Happy 2015

January 12, 2015

Fred Herbst


It’s been a cold but good start to the year in the studio. 2015 looks like it will be another busy one including travel back to France. I will also have work in the Worcester Center for Crafts Pottery Invitational and the AKAR Yunomi Invitational, so stay tuned! I hope everyone is having a warm, safe, and peaceful start to 2015.

History in the Making VIII

October 24, 2014

Fred Herbst

I was honored to be asked to jury an exhibition (titled History in the Making VIII) for the Firehouse Gallery in Rochester, New York open now through Nov. 8th. The works in the show have some element of historical reference and came from all over the US. It was great to see the work in person after jurying them from images- nothing compares to the real object! It was even better since two of the pieces were by a former student of mine, Travis Winters, who is currently an artist in residence at the Odyssey Center for Ceramic Arts in Asheville, North Carolina.

Work by Travis Winters

Domesticated Fire

September 14, 2014

Fred Herbst

On Sept. 5th, “Domesticated Fire” an invitational group show of wood-fired and salt-fired ceramics, opened at the Firehouse Gallery at the Genesee Center for the Arts in Rochester, New York. My work is on display along with the work of Julie Crosby (NY), Randy Carlson (IL), and Liz Lurie (NY). The show runs until Sept. 27th, 2014


A grouping of my pots in “Domesticated Fire”.

France summer 2014

August 5, 2014

Fred Herbst

From July 2 to July 14, I was once again in France to teach a wood-fired ceramics and glassblowing workshop at Domaine de Boisbuchet. This year the workshop was titled “Vitrification” and I co-taught it with British designer Max Lamb and Tom Ryder from the Corning Museum of Glass.


Kiln heating up to temperatures needed to fire stoneware and porcelain and to blow glass. The firebox on the side is for the attached wood-fired annealing chamber used to slow cool the glass shapes.


Tom Ryder reheating a piece with Max Lamb opening the side door.


My finished “pocket” mountains ready to go home with workshop participants from the USA, Lebanon, Argentina, and Switzerland.

“2014 Yunomi Invitational” – AKAR Gallery

April 30, 2014

Fred Herbst


This year I was invited to participate in the “2014 Yunomi Invitational” exhibition (one of the most anticipated each year) at the AKAR Gallery in Iowa City, Iowa. Each artist sent five small cups and the woodfired porcelain cup above is still available. See the rest of my yunomis here.

“Set the Table with Plates” exhibition for NCECA

April 30, 2014

Fred Herbst


Wisconsin artist Simon Levin curated an exhibition of plates to benefit the 50th year of the National Council on Education for the Ceramic Arts. My “Small Plate” (anagama fired porcelain) has been sold but there are still a number of outstanding pieces available. See the NCECA blog entry here.


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